Almost Gold, Almost Amber, Almost Light: landscapes of Mexico and Japan in dialogue

The Museo Kaluz sets two rarely intersecting traditions in conversation: modern Mexican landscape and Japanese landscape. Almost Gold, Almost Amber, Almost Light gathers nearly a hundred works from its collection and from Terry Welch’s—the most important holding of modern Japanese painting in Latin America. The result is a play of echoes: mountains, mists and lights that two cultures looked at separately and that here answer one another. It is a serene show, ideal for slow looking. With ArtGuide you follow the bridges the museum builds between East and West.